Small tables in white or black "water jet" drilled bleach, characterized by a "U" curved shape and a particular pattern obtain through a water shearing.
The circular aperture of the seat, the lightness and softness of the lines, the sturdiness of the material used and its stackability make Ripple Chair particularly suitable for both domestic and public spaces.
Full and soft forms distinguish this seat by Jean Marie Massaud. It looks like a giant sponge or, especially in the white version, a huge squashed golf ball whose indentations have been deformed under pressure.
Harry Bertoia's 1952 experiment bending metal rods into practical art produced a revered collection of seating, including this previously unreleased piece.